by: Rimini Protokoll (Stefan Kaegi) & Thomas Melle
Production: Münchner Kammerspiele (DE)
Co-production: Temporada Alta, Berliner Festspiele/ Immersion, Feodor Elutine / Moscow / Russia, SPRING Performing Arts Festival Utrecht / The Netherlands, Triennale Teatro dell'Arte, Milano, donaufestival Krems
What is human, what is machine? Japanese robotics researchers call this weird similarity the “uncanny valley”.
For his play, Stefan Kaegi worked for the first time with a writer and playwright: Thomas Melle allowed an animatronic double of himself to be made. This humanoid takes the author’s place and asks questions: what happens to the original when the copy takes over? Does the original get to know himself better through his electronic double? Do the copy and his original compete or do they help each other?
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Performing rights by Rowohlt Theater Verlag, Reinbek bei Hamburg
Concept, Text & Direction: Stefan Kaegi
Text, body & voice: Thomas Melle
Equipment: Evi Bauer
Animatronic: Chiscreatures Filmeffects GmbH
Manufacturing and Art Finish of the silicone head, coloration and hair: Tommy Opatz
Manufacturing and Art Finishing of the silicone head and coloring: Ina Chochol;
Hair punching: Susanna Lang;
Mounting-systems and rework animatronics: Jörg Steegmüller/Steegmüller Skulpturen
Dramaturgy: Martin Valdés-Stauber
Video Design: Mikko Gaestel
Music: Nicolas Neecke
Light Design Rimini Protokoll Touring: Robert Läßig
Sound- & Videodesign Rimini Protokoll Touring: Jaromir Zezula
Production management: Rimini Protokoll / Monica Ferrari
Copyright Images: © Gabriela Neeb
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Language: German
Simultaneous translation via headphones: DE-RO, DE-EN
Age restriction: 12+